The IFLC offers special two-session and four-session courses through several San Diego adult education facilities. Here our students come face-to-face with the philosophies, techniques and theories of being a true In Focus photographer. If you are member of one of these courses and want to participate in this extra resource, simply request authorship by clicking on the link below. Let us know which adult education facility you are currently enrolled in. Once verified we'll send you an invitation to become a full member of this web site. Simply follow the instructions from Google and you're ready. You'll soon be able to post images and gain full-access to your instructors.
Hi Linda - Two of my sons were high school runners so I've been practicing this "panning thing" for several years. It's really most important to be set up with your focus distance before your subject approaches you. I usually take a practice shot of where I expect them to be in front of me to check if I have the settings correct. Then as your subject approaches, pan with them and shoot when they're right in front of you. Make sure you are only focused on your subject. You may want to put your camera in servo mode instead of single-shot so you can possibly fire off more than one shot while panning. Good Luck!
Hi Rod, Now I'm confused... In the Note at the end of the "Panning With People" Assignment you suggest trying the continuous shooting mode. I thought that was called "servo" and could be accomplished with manual focus. Can you straighten me out on this? Thanks, Kathy
The San Diego IFLC is dedicated to those artists who use the camera for something other than taking pictures. It is for those who believe that experience, individuality and vision are the keys to artistic expression — not equipment, computers or programs. It is for those who create messages with their cameras - not with Adobe Photoshop. It's for those who have the courage to share a piece of themselves with the world ... it's for those whomake a difference.
Click here for a free gallery PDF of in-camera 'painted' images by Rod Deutschmann. Note: No computer manipulation was used, all images are as they were shot.
Building a 'dramatic' flash image indoors
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*Sometimes it's the easiest of pictures that give us the hardest of times.*
*Take the above photo of Robin for instance. At first glance it seems a
very s...
Hi Linda - Two of my sons were high school runners so I've been practicing this "panning thing" for several years. It's really most important to be set up with your focus distance before your subject approaches you. I usually take a practice shot of where I expect them to be in front of me to check if I have the settings correct. Then as your subject approaches, pan with them and shoot when they're right in front of you. Make sure you are only focused on your subject. You may want to put your camera in servo mode instead of single-shot so you can possibly fire off more than one shot while panning. Good Luck!
ReplyDeleteHi Kathy, thank you for the tips. I can't remember how to get focused where there is no object.
ReplyDeleteHi Rod,
ReplyDeleteNow I'm confused... In the Note at the end of the "Panning With People" Assignment you suggest trying the continuous shooting mode. I thought that was called "servo" and could be accomplished with manual focus. Can you straighten me out on this?
Thanks,
Kathy